![]() Ted greene jazz guitar single note soloing – shared files results. Search for Shared Files Page 10. Joe Pass Virtuoso #3. Jump to navigation Jump to search. 2 (1976) Fitzgerald and Pass. Panis angelicus guitar chords. Search result: panis angelicus guitar chords. Joe Pass did the near-impossible. He was able to play up-tempo versions of bop tunes such as 'Cherokee' and 'How High the Moon' unaccompanied on the guitar. Unlike Stanley Jordan, Pass used conventional (but superb) technique, and his Virtuoso series on Pablo still sounds remarkable decades later. Joe Pass had a false start in his career. ![]() He played in a few swing bands (including Tony Pastor's) before graduating from high school, and was with Charlie Barnet for a time in 1947. But after serving in the military, Pass became a drug addict, serving time in prison and essentially wasting a decade. He emerged in 1962 with a record cut at Synanon, made a bit of a stir with his For Django set, recorded several other albums for Pacific Jazz and World Pacific, and performed with Gerald Wilson, Les McCann, George Shearing, and Benny Goodman (1973). However, in general Pass maintained a low profile in Los Angeles until he was signed by Norman Granz to his Pablo label. 1973's Virtuoso made him a star and he recorded very prolifically for Pablo, unaccompanied, with small groups, on duo albums with Ella Fitzgerald, and with such masters as Count Basie, Duke Ellington, Oscar Peterson, Milt Jackson, and Dizzy Gillespie. Pass remained very active up until his death from cancer. ~ Scott Yanow. When recorded and released this first of his series of albums, he was 44 years old, and ready to reclaim his crown as king of jazz guitar after years of heroin abuse. As a solo artist playing only acoustic guitar in an amplified fusion era, the odds were stacked against him, but boldly issued this, his most creative and improvisation-based work, to mass critical acclaim and widespread general public sales. The genius of was that he was easily able to retain melodic lines of these standards while adding stretched-out, extrapolated thoughts on the top and bottom of the melodies. On every track, with each passing phrase, modified and extended line or poetic thought, proves his unique style is better than all the rest. On the marvelous 'Night & Day,' classical-flavored 'Stella by Starlight' with no small influence of, faster than the pounding precipitation and pain of 'Here's That Rainy Day,' or purely improvised 'Cherokee,' is at the top of his game. He occasionally concentrates more on the melody for the pensive 'Round Midnight' or the fleet 'All the Things You Are,' but meets any challenge during a masterful remake of 'The Song Is You.' There can be no doubt as to the essential nature of this incredible recording, a top five item for any jazz guitarist, one of the great modern-day contemporary albums, and essential listening for any serious music lover -- a must have item.
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